Intersubjectivity:	media metaphors, play & provocation
	6th international Vilém Flusser symposium & event series march 15-19 1997 budapest hungary

Gottfried Jäger
lecturer

Born 1937 in Burg (close to Magdeburg) Germany.
Vocational training and professional experience as a photographer in Bielefeld.
Studies in photographic engineering in Cologne.
Since 1960, lecturer for technology of photography.
Since 1973, Professor of Artistic Photography and Photographic Arts at the Academy in Bielefeld.

• 1962 experimental photography
  
• 1965 serial photography, serial-picture technique
  
• 1967 camera obscura works; diaphragm-structures
  
• 1968 generative photography
  
• Exhibition with an introduction of the term to a photo on a systematic-constructive basis
  
• 1970 apparative art. Computted graphics
  
• 1980 colour-cycles, colour spectres
  
• 1983 works in photographic materials, objects, assemblages, installations
  
• 1994 generative computer works
  

International Exhibitions and Collections
1992 George Eastman Award
1996 David Octavius Hill Award

Books and Catalogues
H. Francke, G. Jaeger, Apparative Kunst. Vom Kaleidoskop zum Computer. Köln 1973.
G. Jaeger, K.M. Holzhauser, Generative Fotografie. Theoretische Grundlegung, Kompendium und Beispiele einer fotografischen Bildgestaltung. Ravensburg 1975.
G. Jaeger, Bildgebende Fotografie. Ursprünge, Konzepte und Spezifika einer Kunstforum. Köln 1988
J. Hülsewig-Johnen, G. Jaeger, Schmoll gen. J.A. Eisenwerth, Das Foto als autonomes Bild. Experimentalle Gestaltung 1839-1989. Stuttgart 1989.
G. Jaeger, Fotoaesthetik. Zur Theorie der Fotografie. Texte aus den Jahren 1965- bis 1990. München 1991.
G. Jaeger, Licht Bild Raum.
Fotogene Projekte 1980-1990.Paderborn/Stuttgart 1992.
G. Jaeger, Schnittstelle. Generative Arbeiten.Bielefeld 1994.
Hülsewi-Johnen, G. Jaeger, László Moholy-Nagy: Idee und Wirkung.
Anklaenge an sein Werk in der Zeitgenössischen Kunst Kunsthalle Bielefeld 1995.

"Animato. The work of art in the era of its electronic manipulatability"
lecture for the Symposium - abstract

Report on an artistic project: Audiovisual paraphrases on a painting of the Hungarian artist and Bauhaus teacher László Moholy-Nagy from the year 1923, his constructivist composition K XVII (owned by the Kunsthalle Bielefeld). The live performance of Animato was first performed as the opening of the International László Moholy-Nagy Symposium in Bielefeld in the autumn of 1995.
The project was initiated by myself and performed by an interdisciplinary group of actors/scientists/musicians from higher education institutions in Bielefeld (the Academy of Fine Arts and the University). In Budapest, following my introduction, I will be showing it on video (13 min.).

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Intersubjectivity: media metaphors, play & provocation Advisory Committee: László Beke, director, Műcsarnok; Wolfgang Meissner, director, Goethe-Institut Budapest; Matthias Müller-Wieferig, Goethe-Institut Budapest; Miklós Peternák, chair of the board, C3; Zoltán Sebôk, theoretician; J.A.Tillmann, theoretician; Organizers:Suzanne Mészöly, programdirector C3 Ágnes Veronika Kovács , program coordinator C3 Adele Eisenstein, program coordinátor C3 See the Goethe-Institut Budapest website on theFlusser Symposium: http://www.goethe.de/ms/bud/depsymp.htm

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Magyar változat