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Gusztáv Hámos
b. 1955 in Budapest, Hungary.
Between 1974-79, participated in conceptual art exhibitions in Budapest,
The Netherlands and East Berlin, and completed several filmworks on Super 8 and 16mm.
In 1979, emigrated to West Berlin. Studied at the German Film & Television Academy in West Berlin, 1979-83.
In 1987, received an artist-in-residence grant at P.S.1 in New York, and in 1988,
completed a Goethe-House Tour, as artist-in-residence in North America, Westernfront, Vancouver, B.C. (Canada).
In 1989, presented a Hungarian Retrospective of Films and Videos, with a lecture series,
at MIT, Cambridge (USA), and between 1990-91, lectured at the Hungarian Academy of Fine Arts, Budapest
In 1992, received a Nipkow Grant (Berlin) and presented lecture Master of Light at the Academy of Fine Arts, Berlin. |
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Film/Video |
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1980 | Seins Fiction (3/4-inch, 45 min., DFFB Berlin) | |
1981 | Commercial I (in collaboration with The Residents and Christoph Dreher) (3/4-inch, 40+4 min., DFFB Berlin) |
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1982 | Superman (in collaboration with Y Sa Lo) (3/4-inch, 5 min., G. Hamos & Y Sa Lo, Berlin) |
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1983 | Seins-Fiction II (The Invincible, 3/4-inch, 20 min., NBK Berlin) | |
Cherie I Feel Bad (in collaboration with Marian Kiss, 3/4-inch, 57 min., ZDF Berlin) | ||
1984 | Snow White (3/4-inch, 7min., DFFB Berlin) | |
1985 | Le Dernier Jour | |
1984 | (in Hungarian and French)(3/4-inch, 7 min., FRIGO, Lyon) | |
The Invincible (35mm, 1-inch, 85 min., co-production of ZDF-ORF-RTBF-SALINAS) | ||
1986 | Killer (3/4-inch, 8 min., G. Hamos, Berlin) | |
1987 | Luck Smith (16mm, 1-inch, 5 min., Wexier Video for ZDF, Berlin/New York) | |
Identity Kid (in collaboration with Mariann Kiss & Ed Cantu, 1-inch PAL, 59 min., ZDF [Das kleine Fernsehspiel] Berlin) | ||
1988 | Wormwood (in collaboration with Teatr Osmego Dnia, 3/4-inch PAL, 25 min., Te-Te-TV Tokyo, postproduction: TAG/TRAUM, Berlin/Cologne) | |
A Tale of Love (in collaboration with Astrid Heibach, 3/4-inch NTSC, 7min., WESTERN FRONT, Vancouver, B.C.) | ||
1989 | MEDIAMATIC (3/4-inch PAL, 2 min., Amsterdam) | |
1991 | The Real Power of TV (Beta SP, 58 min., ZDF/FMS, Budapest/Berlin) | |
1992 | Too Young to Die (Beta SP, 38 min., ZDF/ARTE, Berlin) | |
1993 | Chonlima (S-VHS PAL, 7 min., Hámos Production, Berlin) | |
1995 | Sex/Machine (Beta SP, 51 min., Lichtblick, Cologne) | |
Golda & Roza (Beta SP, 51 min., ZDF/ARTE-Hámos-FMS, Berlin/Budapest) | ||
1996 | Berlin Retour (Beta SP, 7 min., Lichtblick for Holland House, Cologne) | |
1998 | Natural Born Digital (Beta SP, 35 min., Turner&Tailor for ARTE, Berlin) | |
Festivals Since 1980 participating in International Film Festivals, including Film Festival Montreal, Quebec (Canada); Cannes Festival (France); International Forum of Young Filmmakers, Berlin; West German Festival of Short Films, Oberhausen (Germany); DokumentART, Neubrandenburg (Germany); Locarno-Laggo Maggiore (Switzerland); Prix Futura, Berlin; International Festival of Cinema, San Sebastian (Spain); Duisburg Film Week (Germany) |
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Video presentations Centre Georges Pompidou, Paris Kijkhuis, The Hague, The Netherlands The Museum of Modern Art, New York Documenta 8, Kassel, Germany Centro de Arta Reina Sofia, Madrid San Francisco Museum of Modern Art Stedelijk Museum, Amsterdam Internationler Videokunstpreis 1996 ZKM, Karlsruhe, Germany C3, Budapest Martin-Gropius-Bau, Berlin |
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Video Installations |
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1981 | Seins Fiction, Kino Arsenal, Berlin | |
1984 | Madre, Venice Biennale, Italy | |
1986 | Heaven & Earth, Kölnischer Kunstverein, Cologne, Germany | |
Mammom 3, Künstlerhaus Dortmund, Germany | ||
1988 | Animals + Living Room (Environment), P.S.1, New York | |
Siegfried is Dreaming of Brünhilde, Kijkhuis, The Hague, The Netherlands | ||
1992 | Hammer Series (The Power of TV), Kijkhuis, The Hague, The Netherlands (solo exhibition) |
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1993 | The Hammer on the Anvil, OSTranenie 93, Bauhaus Dessau, Germany | |
1995 | Screen, Hammer, Anvil and Three Crosses, Centrum Sztuki, Warsaw | |
The Hammer on the Anvil, Media-Scape 3, Zagreb, Croatia | ||
True Fun, Mund Auf Augen, Peking, China | ||
Light Unit, Podewil, Berlin | ||
1996 | Möbius Zirkus, in The Butterfly Effect, Mûcsarnok (Kunsthalle), Budapest | |
Berlin Viewfinder (intervention), Berlin | ||
Auf der Suche nach Walter Ruttmann, Holographic Network, Academy of Fine Arts, Berlin | ||
Möbius Zirkus, European Media Art Festival, Osnabrück, Germany | ||
The Hammer on the Anvil, in Object Video, Oberösterreichische Landesgalerie, Linz, Austria | ||
Looking for Walter Ruttmann, in Beyond Art, Ludwig Museum, Budapest | ||
1997 | The Hammer on the Anvil, in Media Res, Photographie and Media Art from Berlin, Istanbul, Turkey | |
Light Unit, in Vidéologie, Institut Français, Budapest, and the Intermedia Department of the Academy of Fine Arts, Budapest | ||
Berlin Viewfinder, Goethe-Institut Budapest | ||
1998 | Light Unit, Vidéoformes, Clermont-Ferrand, France | |
Grants and Awards |
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1980 | Special Mention for a First Work, Video Rome | |
1984 | Special Prize, 1. Marler Video-Kunst-Preises | |
1987 | P.S.1 Stipendium, New York | |
1991 | Prix Saint-Gervais, SIV 4, Geneva, Switzerland | |
1992 | Main Prize, DokumentART, Neubrandenburg, Germany | |
The Best Discovery Video Award, Nouvo Cinéma de Montréal, Québec (Canada) | ||
1992-93 | Nipkow Stipendium, Berlin | |
1993 | Special Mention, Prix Futura Berlin | |
Golden Gate Award, Special Jury Award, San Francisco Film Festival | ||
1996 | First Prize, RETINA '96, 5th International Film & Video Festival, Szigetvár, Hungary | |
Links http://www.snafu.de/~guszt// |
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Back Current Coordinates Exhibition |