Valentina ValentiniValentina Valentini, a scholar of the problems of performance
in the 20th century, teaches performance studies at the Art
Department of the University of Calabria. Her research into the relationship
between the theatre, art and new technologies is outstanding, and she
is a leading authority in Europe on performance and multimedia events.
She has dedicated various theoretical and historical studies to 20th century
theatre: Il dibattito sul teatro nel USA: Schechner e TDR (1974);
La teoria della performance (1985); and a categorical redefinition of
dramaturgy, Dopo il teatro moderno (1989). She has dedicated a
broad study in two volumes on the interference between theatre and the
new media, entitled Teatro in immagine: Eventi performativi e nuovi
media I, and Audiovisivi per il teatro II (1987). The fruits
of a lengthy study conducted through unpublished material are two volumes
dedicated to the reconstruction of the first performance of the tragedies
of Gabriele D'Annunzio, Il poema visibile, and on the theatrical
aesthetic of D'Annunzio, La tragedia moderna e mediterranea, and
Un fanciullo delicato e forte: D'Annunzio e il cinema. She is
the director of a series devoted to contemporary performance and drama
(eg., Franco Scaldati, Squat Theater, Teatro della Fortezza, Peter Sellers,
etc.) published by Rubbettino, and she has edited a monograph on the Heiner
Muller theatre for Bulzoni. Since 1986, she has been the Artistic Director
of the Rassegna Internazonale di Taormina Arte Video d'autore, for which
she has annually produced an accompanying publication on the relationship
between film, video, television and the media arts. Her essays have been
published by numerous journals, both nationally and internationally, including
Biblioteca Teatrale, Ariel, The Drama Review, Theaterschrift, FilmCritica,
Bianco e Nero, Drammaturgia, Performance Arts Journal, and Performance
Research. |
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